Friday, 16 June 2017

The Weight of Glory by C.S. Lewis (1898-1963)

The Weight of Glory by C.S. Lewis (1898-1963) is a collection of nine essays that were transcribed from talks or sermons that Lewis gave during World War II and the years immediately afterwards, with the last (A Slip of the Tongue) delivered in 1956.
The HarperCollins edition I have, pictured above, has an introduction by Walter Hooper, an American who corresponded with Lewis for some years. In 1963, Lewis invited Hooper to visit him in England and they met at least three or four times a week, sometimes at his home, or sometimes in a pub with Lewis's group of friends called 'The Inklings.' Hooper was later to become Lewis's literary assistant and personal secretary and also his companion when he was ill.
Hooper's anecdotes of his time with C.S. Lewis give a wonderful glimpse into Lewis's character. He describes him as a 'ruddy, six-foot, genial man,' and that one of the most attractive things about him was his uproarious sense of fun.

' would take someone of Boswell's talents to give the right idea to the completeness of this remarkable man, to show how naturally the humour blended into the more serious side, and indeed was one of the causes of his greatness, his large intellect, and the most open charity I have ever found in anyone.
He was a man, many of us have come to see, of common instincts combined with very uncommon abilities...I just knew - that no matter how long I lived, no matter who else I met, I should never be in the company of such a supremely good human being again.'

I've always appreciated C.S.Lewis but this personal account of what the man was really like increased my regard for him.
I'm only going to comment on four of the essays in this book. They were all exceptional but some were philosophically difficult for me to get my head around so here are my thoughts on those I was able to get some sort of handle on.

The Weight of Glory

The weight or burden is glory is that, because of the work of Christ, any of us who really chooses shall one day stand before God and find approval:

' be loved by God, not merely pitied, but delighted in as an artist delights in his work or a father in a son - it seems impossible, a weight or burden of Glory which our thoughts can hardly sustain.
But it is so.'

Lewis states that our desires are not too strong, but too weak.

In the New Testament and early Christian writings, Salvation was associated with palms, crowns, thrones  - i.e. Glory. These things don't appeal to the typical modern but they did to Christians in times past.
The divine accolade of "Well done, good and faithful servant," is a scriptural view.

'For glory means good report with God, acceptance by God, response, acknowledgement, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.'

There are no 'ordinary' people. These words open up a whole new dimension when it comes to relating to others. Which destination am I helping this person, or that one, to reach?

'It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest and most uninteresting person you can talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship, or else a horror and a corruption such as you now meet, if at all, only in a nightmare. All day long we are, in some degree, helping each other to one or other of these destinations...'

Learning in War-Time

C.S. Lewis delivered this sermon in October 1939, about six weeks after World War II started. He asks whether, given the circumstances of war, we should continue to spend time on such things as literature, art, mathematics or biology, which seem relatively trivial. His perspective is that life has never been normal. Life has always been full of crises and emergencies in even the most peaceful times. There have always been reasonable instances to curtail our merely cultural activities but humanity has chosen to ignore those instances so we find Man conducting 'metaphysical arguments in condemned cells' and making 'jokes on the scaffolds.' Lewis himself, in the previous war, found that the nearer you came to the front line, the less you thought and spoke of the campaign or the cause. I remember this was the case when I read All Quiet on the Western Front.

'The war creates no absolutely new situation; it simply aggravates the permanent human situation so that we can no longer ignore it. Human life has always been lived on the edge of a precipice. Human culture has always had to exist under the shadow of something infinitely more important than itself. If men had postponed the search for knowledge and beauty until they were secure, the search would never gave begun. We are mistaken when we compare war with "normal life." Life has never been normal.'

And this gem:

'Never, in peace or war, commit your virtue in your happiness to the future...
It us our daily bread that we are to ask for. The present is the only time in which any duty can be done or any grace received.'

The Inner Ring

This was one of my favourite essays in this book and I immediately understood what Lewis meant by this and could call to mind the numerous 'Inner Rings' I've been aware of, or perhaps even been a part of throughout my life.
The Inner Ring phenomenon is an unwritten system with no formal rules. Lewis uses some lines from Chapter 9 of Tolstoy's War & Peace to explain this system which 'compelled a tightly laced wait respectfully for his turn while a mere captain...chatted with a mere second Lieutenant.'
The second lieutenant decided that the unwritten system was the one he was going to be guided by. He knew he was a member of the Inner Ring and the general was not.
Lewis realises that Inner Rings are necessary at times:

'I am not going to say that the existence of Inner Rings is an evil. It is certainly unavoidable. There must be confidential discussions, and it is not only a bad thing, it is (in itself) a good thing that personal friendship should grow up between those who work together...'

But he also points out that,

'...the desire which draws us into Inner Rings is another matter. A thing may be morally neutral and yet the desire for that thing may be dangerous.'

The longing to be inside takes many forms and this desire, according to Lewis, 'is one of the great permanent mainsprings of human action...
Unless you take measures to prevent it, this desire is going to be one of the chief motives of your life.'

So, Inner Rings are to be found in the schoolyard, in the work place, in university, in politics, in home education groups and sadly, in some churches.
Some questions to ask ourselves regarding this are:

Have I ever neglected a friend I loved in order to court the friendship of someone who appeared more important or 'esoteric'?

Have I ever derived pleasure from the loneliness and humiliation of the 'outsiders' after I have been on the inside of that Ring?

Do I want to join a certain group because I want to be in the know?

If I am 'in' this Inner Ring, do I make it hard for the next person who wants to be a part if it?

'Of all passions the passion for the Inner Ring is most skillful in making a man who is not yet a very bad man do very bad things...
Until you conquer the fear of being an outsider, an outsider you will remain...'

'The circle cannot have from within the charm it had from outside. By the very act of admitting you it has lost its magic.'

Ultimately a genuine Inner Ring exists for exclusion and as Lewis points out,
'The quest of the Inner Ring will break your hearts unless you break it.'

Highly recommended!


The Church is the Body of Christ and we are members of one another.
Lewis explores the community aspect of Christianity and points out that in our age the individual is exalted and religion is seen as belonging to our private lives.
This is a paradox and a strategy of the enemy as the New Testament knows nothing of solitary religion and the modern world wants everyone to be a part of a collective.

'When the modern world says to us aloud, "You may be religious when you are alone," it adds under its breath, "and I will see to it that you never are alone."'

 Another stratagem of the enemy is for us to react by transferring our spiritual life into the same collectivism that is already part and parcel of our secular life.

'...the Christian life defends the single personality from the collective, not by isolating him but by giving him the status of an organ in the mystical Body.'

In conclusion: 

As with just about everything I've read by C.S. Lewis, these essays were top notch. If you don't get to read the whole book I'd recommend at least The Inner Ring which is free to read online here and The Weight of Glory, here
Some biographical details.

Linking to 2017 Cloud of Witnesses Challenge and The Classics Club 


Tuesday, 13 June 2017

Notes from the 2017 Newcastle Mum Heart Conference

This is a post to address some questions that came up during my Charlotte Mason Workshop and also in personal conversations over the weekend.


* Older children can start their work independently so you may spend time with the youngest ones.
The subjects that worked best for us with this were Maths, Copywork, Music Practice & regular jobs e.g. emptying the dishwasher or bringing down the washing.

* Keep lessons short but don't let them waste time.

* If I don't cover some things during a week, I schedule them first thing the next day/week. This way we get to cover everything & don't send the message that some areas are less important than others. It seems to be the more 'unpractical' things that miss out otherwise. Poetry, picture study etc are not extras that we tack on if we have enough time.

* Alternate the type of lessons so there is a natural 'rest' between lessons. 'When Children Love to Learn' edited by Elaine Cooper (see pg. 215) divides subjects into Inspirational and Disciplinary subjects. By alternating subjects between the two groups we provide this rest:

Inspirational Subjects  
Composer Study
Nature Study
Picture Study
Read Aloud

Disciplinary Subjects

Physical Education


The question came up regarding finding the time to listen to multiple narrations.
Some ideas if you have a few children & they all have to narrate:

*   Combine some books & they take turns narrating

*   If you follow Ambleside Online there can be around 4 or 5 readings per day, depending on how you schedule your week.  If they’re older one of those re-tellings could be a written narration, another a science notebook entry (write up an experiment/draw what happened etc); an entry on their history timeline; an oral narration; a picture narration; a diagram. They could also record their own narration (Voxer is something I’ve heard others talk about but have never used myself).

*  I made out a weekly schedule for everyone & allowed them to choose what they wanted to do from that & checked during the week to see that they were getting through it. My older ones would often tell me before they were going to do a reading then I knew that around 15 or 20 mins later they would be ready to narrate. If I read aloud to them I got them to narrate as soon as I’d finished.

*  I found with my older children, that their oral narrations were usually short and to the point, so it didn't require a great deal of time to listen to them. My younger ones tended to be more verbose.

*  An older child could listen to a younger one's oral narration & write it out. You check it later. Multiple children could act out a scene from a book or a Shakespeare play. We had a few historical battles acted out...

*  I had them do most of their oral narrations in the morning when I had less distractions, then after lunch we had a time all together where we did devotions, read aloud, poetry & maybe something else I chose such as picture study or composer.

*  If you have a child who is a good writer & enjoys it, you can increase their written work & not have as many oral narrations. I’d only do this if they had spent a few years honing their oral narration.

*  Late readers – oral narrations will prepare them for written work when they do learn to read; read aloud good quality literature; use audio books & have them follow along with the book.

*  If you don’t get to hear an oral narration for some reason, before you read the next chapter in the book, ask them what happened in the previous chapter. I usually do this anyhow.

* Children need a rich & varied background of reading to be able to express themselves. If they can’t narrate a book it’s often a sign that the book isn’t ‘living.’

* Children don’t have to completely understand everything for a book to have done its work. My daughter has just finished reading The Mystery of the Periodic Table (AO Year 6). A couple of times when she came to narrate what she'd read she'd say, "I didn't really understand that." So I asked her to tell me something about what she had understood. There was always something she could tell me. Charlotte Mason used the analogy of a bountiful feast, a tantalizing smorgasborg, that we spread before our children - they won't be able to eat everything on the table but they will come away satisfied.

*  Written narration with boys - teach them how to touch type & let them use the computer if they are hampered by the physical act of writing. Some of our boy's narrations improved dramatically when we did this. Typing narrations was also helpful for my youngest daughter who had poor spelling but loved writing.

As they get more confident, make the requirements a bit higher. In the earlier years they start with a straight re-telling. Progress to different forms of writing e.g.creative narrations – write a poem, illustrate part of the story, draw a picture, write a newspaper article, write a letter.
Turn a poem into prose; re-write (paraphrase) a passage from a book in your own words – good for short essays; write a summary – eg a battle or historical event.

* In Volume 6 Charlotte Mason writes:  ‘Forms V and VI. (Grades 10-12) In these Forms some definite teaching in the art of composition is advisable, but not too much, lest the young scholars be saddled with a stilted style which may encumber them for life.’

I've used Wordsmith Craftman or Jensen's Format Writing at this stage to cover essay writing.
Try googling 'Expository writing' if you want some free resources to help with this. 
Transitioning from written narrations to essays:
I posted some ideas for written narrations here.


There is a tension between requiring children to work hard versus not requiring enough of them. The temptation is to give children less work if they’re struggling, but often they don't need less but just different. They need a broad curriculum with enough of a challenge to give them a push without overwhelming them. One of my children was very advanced for her age & I was talking to an older lady I knew about how to work with this. She suggested to go broader rather than pushing her ahead. I did this and it certainly didn't hinder her in any way.

One thing is certain in homeschooling whether you have a large family family or not - the only constant is change! At least that's what I've experienced. Children grow and develop, the mix of ages and stages change. We change. Life changes.

Some things to remember:

'The Lord is my Shepherd' - Psalm 23. He doesn't drive me, He leads me.

'He tends his flock like a shepherd: He gathers the lambs in his arms and carries them close to His heart; He gently leads those that have young. - Isaiah 40:11

'Come to me, all you who are weary and burdened, and I will give you rest.' Matthew 11:28



Wednesday, 7 June 2017

Cancer Ward by Alexander Solzhenitsyn (1966)

Russian author and Nobel Prize winner, Alexander Solzhenitsyn, completed his book Cancer Ward in 1966. English translations were published in 1968, and although book was banned in the Soviet Union, unauthorized Russian copies were distributed in samizdat.
The story takes place in a male cancer ward of a Soviet hospital in the mid-1950's and revolves around a number of characters, the central one being Oleg Kostoglotov. Kostoglotov's life mirrors that of Solzhenitsyn in that he was imprisoned for his criticism of Stalin, and after being diagnosed with stomach cancer, was transferred from the concentration camp to a cancer ward. And like Solzhenitsyn, he later recovered.
I was totally absorbed by this book's 570 pages and despite the fact that Russian literature is often notoriously hard to read, this book definitely wasn't.
The most fascinating aspect of Cancer Ward for me wasn't so much the allegorical links to the Communist regime and the descriptions of life in a dictatorship. As interesting as they were, there have been other books I've read that addressed this, one of them also written by Solzhenitsyn. (See One Day in the Life of Ivan Denisovich)
What was so interesting to me was the medical treatment of cancer and the attitude of the medical staff to patients and treatment.
Kostoglotov believed that he had the right to choose what form and how much treatment he should have. The medical profession believed that information should be withheld from patients, 'for their own good.' They didn't understand the technicalities and should leave the decisions to those who do. This is really no different to what used to happen in Australia, for instance. It wasn't uncommon to leave a patient ignorant of their impending doom. Relatives could make the call on whether to let a member of their family know that their disease was terminal. Even now, to question the standard method of treatment for something like cancer is to bring down the ire of the establishment upon yourself, as a friend of mine recently found out when she decided not to undergo chemotherapy after her cancer surgery.
The medical staff in that Russian hospital were conscientious and sincere and believed they were doing the right thing by Kostoglotov. They were tight-lipped about the hormonal therapy he was receiving and its long-term effect of impotency, but he didn't want to be saved 'at any price.'
Kostoglotov also did some of his own research and discovered that concern was beginning to surface in medical circles regarding the long term effects of radiotherapy.

The gist of it was that X-ray cures, which had been safely, successfully, even brilliantly accomplished ten or fifteen years ago through heavy doses of radiation, were now resulting in unexpected damage or mutilation of the irradiated parts.

...ten, fifteen or eighteen years ago when the term 'radiation sickness' did not exist, X-ray radiation had seemed such a straightforward, reliable and foolproof method, such a magnificent achievement of modern medical technique, that it was considered retrograde, almost sabotage of public health, to refuse to use it and to look for other, parallel or round-about methods.

Solzhenitsyn explores the relationship between doctors and patients and between fellow cancer sufferers as they go through their various forms of treatment.
There are numerous Translator's notes throughout the book that explain some of the historical background needed to understand the context of the author's writing, such as this:

Khrushchev had just become Party leader. He believed that wide cultivation of maize in the north of Russia would solve grain and fodder problems. He called upon Young Communists to fight those who didn't believe maize could be grown there. His scheme, however, was defeated by the climate.

Although Solzhenitsyn insisted that his book was simply about cancer, there are seemingly allegorical statements that contradict this:

A man dies from a tumour, so how can a country survive with growths like labour camps and exiles?

I highly recommend this book, especially if you have some sort of  medical background. Solzhenitsyn was perceptive and prophetic and his insights into human nature were superb.

Some favourite passages:

It is not our level of prosperity that makes for happiness but the kinship of heart to heart and the way we look at the world. Both attitudes lie within our power, so that a man is happy so long as he chooses to be happy, and no one can stop him.

Nowadays we don't think much of a man's love for an animal; we laugh at people who are attached to cats. But if we stop loving animals, aren't we bound to stop loving humans too?

Soon it will be summer, and this summer I want to sleep on a camp-bed under the stars, to wake up at night and know by the positions of Cygnus and Pegasus what time it is, to live just this one summer and see the stars without their being blotted out by camp searchlights- then afterwards I would be quite content never to wake again.

As the two-thousand-year-old saying goes, you can have eyes and still not see.
But a hard life improves the vision. There were some in the wing who immediately recognized each other for what they were...It was as if they bore some luminous sign on their foreheads, or stigmata on their feet and palms...The Uzbeks and the Karakalpaks had no difficulty in recognising their own people in the clinic, nor did those who had once lived in the shadow of the barbed wire.

The Penguin translation I read was first published by The Bodley Head in 1968.

Linking to Back to the Classics 2017: Classic in Translation; The Classics Club and Books You Loved

Thursday, 1 June 2017

Announcing the winners of the Mum Heart book giveaways

“Many people, myself among them, feel better at the mere sight of a book.” 
Jane Smiley


The winners are:

Kathleen - Fearfully & Wonderfully Made, Patricia St. John books & Amy Mack's Bush Stories

Linda - Wizard of Jenolan, Grammarland

Renelle - Artistic Pursuits

Sally - Little Bush Maid & Mates at Billabong

I'll have the books with me at the conference & will give them to you on Saturday after lunch. Look forward to catching up with some of you and meeting others for the first time!


Tuesday, 30 May 2017

History Timelines & Notebooks

We've used a few different ways to record history and I've included a few images of our history notebooks & timelines plus some (mostly) free resources we've used. I've updated this post to add all seven of my children's work they've done over the years. The ages represented are about 9 years to 16 years, both boys and girls.
For years we had a timeline along a wall that was a talking point with anyone who walked up the hallway but a couple of years ago we knocked the wall out to give us some more room in our kitchen area and that was the end of that.

I require them to keep a record of the history they are covering but pretty much leave it to them as to choice of how they do it. A couple have used a spiral notebook & my youngest has been using a simple composition book, but the preference seems to be for separate notebook pages. My older girls  enjoyed using scrapbooking bits and pieces on some of their work. Some liked to draw their own maps, some didn't.

Ambleside Online Year 3

Ambleside Online Year 5

Ambleside Online Year 6

Timeline figures for Famous King & Queens of England (872 AD - 1952) can be found here.

Ambleside Online Year 8

Free timeline figures are here also.

Helps for notebooking.

I used these with one or two of my boys just to give them a framework when they were first starting out with notebooking. They can be bought as a download here.


Outline maps

 Historical Maps of America

We've used some maps from Knowledge Quest: A great place for paper soldiers - as long as you don't mind hundreds of little men all over the house. We've used this site innumerable times. Models of the Taj Mahal and Shakespeare's globe theatre.

 Paper models of sphinx, pyramids, and other architecture.

Books and crafts for teaching history and making timelines.

Notebooking Fairy - geography, explorers etc

Make your own notebook pages

How to make paper look aged: Try this.

Reading the above (which I'd had cut out from somewhere years ago) makes me wonder about the teaching of history generally. I have a vague memory of 'learning' about the Eureka Stockade, and something about the 'Proletariat' and 'Assimilation' from my school days. Any historical knowledge I've gained has been in the process of teaching my own children so I'm not altogether surprised by some of the ridiculous answers in the snippet above.
This quote is from a Parents review article I read recently and from what I've seen in my own children it certainly rings true.

"Here we may notice the use of fiction in history. History should narrate truth. Can fiction, such as the historical novel, be in any sense an aid to truth? I think so, with proper selections and under proper guidance. Fiction kindles the imagination, awakens interest, and secures attention; it is the most pleasing form of narration and it need not sacrifice a truthful impression.

What children remember is the characters of the leading actors, their part in the movement, its issue, and the general picture of the period."

My kids love history and have read copious amounts of Sir Walter Scott, G.A, Henty, Rosemary Sutcliff, and other historical fiction writers and this has given them good background knowledge for works of historical non fiction. I noticed this when it came to them reading Churchill's A History of the English-Speaking Peoples which can be difficult unless you have some knowledge of English history.